21st October 2015
Writer and video artist Nisha Bhakoo explores her own response to poetry as both reader and writer.
I believe that honesty and courage are the most important things when writing poetry and that is probably true as regards the act of taking a poem to your heart and sharing it with others. It’s hard when you are first starting out as a poet because it’s natural to feel insecure about your work and to attempt to write like other poets. When I first started writing poetry, I spent a lot of time thinking about impressive words that I could slot into my poems. It was completely forced and I didn’t recognise myself in any of the work. I think that with time you understand that for a poem to work, you can’t write it for anybody but yourself. You have to write it in your own unique language and write about things that matter to you. Don’t worry about how others will respond to it; write about something that you would like to read. Every writer plays with language, form, imagery, and rhythm in different ways – the diversity of voices keeps poetry interesting and relevant.
You need courage as a writer because you are opening yourself up to scrutiny. Even the act of pursuing a career in writing is a courageous one because there are people who for all kinds of reasons will try to discourage you. I’m not saying that writing isn’t an insecure career, it is! You still need to make money and you will have to make many sacrifices, but in my opinion, it’s worth it. I have done everything from working at the council to teaching English to German kids to pay the bills, and I will continue to find ways whereby I can support my career. You have to be creative with that also.
The reader has to have courage and honesty as well. Your interpretation and opinion of a poem is worth a lot, and you don’t have to share the same interpretation as a critic, your teacher, or even the poet! Like music, there are no wrong or right answers in poetry. I think that one of the many reasons people are put off poetry is because they’re scared that they will get it wrong. Michael Rosen recently tweeted “Poets don’t know all the meanings of their poems. All the meanings of the poems are made by the poet and the readers”. I couldn’t agree more. The poet doesn’t seal the poem down after she’s finished writing it – it’s very much a two way street.
I have found that the people who harp on about poetry being dead usually haven’t read any poetry from the last few decades. There are so many exciting things going on with poetry at the moment. I’m especially enjoying the work of Emily Berry http://www.emilyberry.co.uk/ and Richard Siken http://www.richardsiken.com/. You have probably heard of them but if not Google them right away!
The Poetry By Heart competition is a fantastic way of getting young people into poetry. It shakes off the tired stereotypes of poetry being dull and only for the older generation. Through the competition, the young person reflects on the poem and recites it in a way that makes sense to them. This requires both honesty and courage because when you recite a poem by heart, there is no barrier between you and the audience. I’m sure this is an exhilarating experience and it is definitely a dynamic introduction to poetry.
Many contemporary poets have started using performance, sound and film in their work and it’s inspiring to see all the new ways that people are choosing to share their poems.
I decided to attempt to make a short poetry film last year. I have a passionate interest in video art, especially the work of Bill Viola and Gretchen Bender, so it seemed like a natural and rewarding thing to do. Through the B3 Media Talent Lab scheme, I managed to get some funding for the film. It’s called “I, Amir”, and it is an uncanny look at technology and identity. I didn’t write the poem specifically for the film. I chose it for “I, Amir” because it addressed the psychoanalytical themes that I wanted to explore. I don’t feel that the film enhances the poem but it does offer up something new to think about. Seeing poetry off the page also makes you question what poetry really is.
Poetry films and performance can also make poetry more accessible and draw in non-traditional audiences, which is fantastic because I think poetry is for everybody. This is why I think the Poetry By Heart competition is so powerful because it involves the young person and makes them an active participant.
I don’t think that poetry performance and films threatens the word on the page. I will always read poetry books because I enjoy reading poems at my own pace, being alone with them, and seeing their form on paper. I know that a lot of people out there don’t own or read poetry books but poetry is still part of their everyday life. Everyone from the hip hop fan to the headline writer at your local paper has a relationship with poetry. Poetry comes in many guises from a diversity of voices – it just isn’t always labelled as poetry.
About the author: Nisha Bhakoo is a writer and video artist. Her poetry has appeared in Poems in Which (Issue 8), Ink, Sweat & Tears, The Cadaverine, and Morphrog 11, and she is featured in the upcoming Mildly Erotic Verse by The Emma Press. She was shortlisted for Cambridge University’s Jane Martin Poetry Prize 2015, and selected for the GlogauAIR artist residency scheme, Berlin, in 2015. She has performed her work at a variety of venues in the UK and Germany. Her poetry film “I, Amir” (supported by B3 Media) will be exhibited at Rich Mix, London, from 24 Nov. to 5 Dec. 2015. You can find out more here: http://www.richmix.org.uk/whats-on/event/i-amir-by-nisha-bhakoo/