12th May 2015
A very popular choice this year in the post 1914 section of the Poetry By Heart anthology was Dylan Thomas’ 1934 poem, ‘The Force That Through The Green Fuse Drives The Flower’ http://www.poetrybyheart.org.uk/poems/the-force-that-through-the-green-fuse-drives-the-flower/ Our evaluation of the 2015 competition suggests that this poem was comfortably in the top quartile of poems selected for recitation. As we approach the first ever international Dylan Thomas Day, poet Martin Daws offers some thoughts on the enduring popularity of Thomas’ verse. Martin writes:
Few modern poets are so widely known as Thomas, or so widely liked and even fewer are so pleasurable to read out loud.
Let’s look at the fourth line of Thomas’ verse play, ‘Under Milk Wood’ in which he speaks of the wood limping down to the:
‘sloeblack, slow, black, crow black, fishingboatbobbing sea’
What a line to memorise and read out loud! It’s a nursery wall of word plays, repetitions, alliterations, internal rhymes, surprise punctuation book-ending unexpected word mergers that combine to create a rising, effervescent music that swells like the sea it describes. This is one fun line of poetery. I can imagine him smiling when he read back over it, rolling it round his mouth, savouring it, like a vintner, taking a craftsman’s pleasure as he sculpted it in to the baritones of his famously resonant reciting voice.
This is spoken word poetry at its best combining the intimate eye of the writer with the lyrical ear of the musician: the two become one in the mouth of the poet or the actor. Many people will know Richard Burton’s famous performance of ‘Under Milk Wood’. You can hear the opening section here: https://www.youtube.com/watch?v=c2a6zCR-ycs
Together the poetry and voice combine in a euphonic South Walian symphony of slow drawn warmth inducing a dream like lucidity. This is where word meaning and word sound intersect to make more than their respective parts. This is where poetry comes to life for me; where I find my feeling in it.
A little personal theory with a touch of poetic licence: words are abstract, right? The word ‘chair’ isn’t a chair – it’s an abstract representation that we understand means a chair. When we hear the word ‘chair’ we perceive it as both an abstract but also a sound and the sound carries its own set of meanings – is it loud, quiet, gentle, angry? Okay, chair is a very neutral word and it’s hard to imagine a ‘chair like’ sound but compare that to the potential in a word like ‘slow’.
The part of Dylan Thomas’ poetry that I respond to best is his exceptional ability to create a fusion of word sounds and their meanings which at its best creates new, holistic word meaning infused with musical feeling; that’s where the poetry is.
About the author:
Performance poet Martin Daws was appointed Young People’s Laureate for Wales in April 2013. Currently very active in this role, Martin works across Wales to engage and inspire young people to empower themselves through their creativity. As Young People’s Laureate Martin also represents Wales internationally; creating partnerships and sharing skills with other socially engaged poetry organisations and practitioners around the world.
For more information about Martin visit: http://www.martindaws.com/
Blog editor Mike Dixon from Poetry By Heart adds:
Literature Wales have provided with us with further information about International Dylan Thomas day and the range of exciting events taking place in May including activities aimed at young people..
All over the UK, online, and from New York, Brussels, New Zealand and Italy people will be celebrating the magic of Thomas’ poetry through a series of walks, talks, readings and exhibitions.
Cerys Matthews MBE, Welsh singer, songwriter, author and broadcaster says: “I’ve enjoyed celebrating Burns Night over the years and often wanted to celebrate Dylan Thomas in the same way – at last there is a date in the diary for Dylan Day. Why not raise a glass to this little great man every year on 14 May and enjoy the chance to savour the brilliance of his work by reading out excerpts and throwing a party, wherever you are!”
How to get involved in the celebrations?
If you are aged between 7 and 25 years old you can submit up to four lines of poetry (in English or Welsh) inspired by the theme ‘our community’ to Dylan’s Great Poem – an international appeal to create a new 100 line–bilingual poem inspired by Thomas’ words. To submit visit www.developingdylan100.co.uk. The new poem will be revealed on 19th May, and performed live at the Hay Festival.
Get involved on Twitter by taking a photo of yourself reading Dylan in unusual places using the hashtag #DylanSelfie
Take part in one of the many events, walks, readings taking place, including:
‘Take away poems’ by Martin Daws, Young People’s Laureate of Wales, from the Dylan Thomas Writing Shed outside the St David’s Centre in Cardiff on 14 May
The first public display of Dylan Thomas’ notebook at Swansea University. Bought by the University in 2014 for £104,500
An opportunity to listen to recordings of Dylan’s work from the audio archive of 92Y in New York – the 2014 reading of Under Milk Wood starring Michael Sheen and Kate Burton, and an excerpt from the 1953 premiere, with Thomas himself in the cast. www.92y.org/dylanday
Oxford ‘Walk on the Welsh Side’
Literary Pub Tour in Fitzrovia, London
‘A Dylan Odyssey’ – a collection of Thomas-inspired literary tours will be published by Graffeg.
To find out more about all the events taking place visit www.literaturewales.org.uk/dylan-day/
International Dylan Thomas Day is organised by Literature Wales and funded by the Welsh Government